While scrolling through some form of social media (I can't exactly remember which) I came across this helpful little picture. This is a basic guideline on the layout of a film poster which I've found quite useful. Although we're not required to make a film poster for this course I'd certainly like to give it a go at some point with the help of this.
For our Thriller we're wanting to shoot around Chesterfield Town. Above is our video looking around the streets we intend to shoot on and looking at the two possible car parks we could use. We have decided to use the second car park as we felt it suited the style we'd like. It didn't have barriers and the top had lower walls adding a city effect. Its also older and a bit more run down creating the dystopian theme we desire. The second car park is also less used than the first so it's more likely to be empty at the top floor when we need to film. We gained permission from the car park security to film in it as long as we told them every time we we're filming so that they could ensure we were safe.
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Levi Strauss |
For example:
- Good vs Evil
- Hero vs Villian
- Man vs Woman
- Sociecty vs The individual
- Harry Potter vs Voldemort
- Deadpool vs Francis
- House vs Illness
Our Thriller
Our thriller will use a variety of binary oppositions. Our story will follow a basic binary opposition of government vs Rebellion however this will become blurry as members of the government join the rebellion, but this will cause the line of good and bad to be unclear. We'll also have in our clip, the binary opposition of security vs insecurity as a chase scene takes place through the centre of town which most people would consider a safe place.![]() |
Roland Barthes |
Narrative Codes
Roland Barthes was a media theorist who came up with the concept of Narrative Codes. This consisted of five different forms of code that could be used in a media product to send the audience different messages. The codes consisted of:- Action code
- Hermeneutic/Enigma Code
- Semic Code
- Cultural Code
- Binary Oppositions